{"1":"A herb brand Jonathan co-founded with Gwenda Jakobs, built from the name through identity, packaging and go to market. It reaches restaurant kitchens in several cities without a sales team.",
"2":"A video-art platform Jonathan co-founded and ran for ten years, in print and online. It never found a lasting market, and its structured archive survived where the presentation did not.",
"3":"A long-running venture on urban composting and vertical gardens, open source since 2017. Recognised by Future Architecture in 2021 and by national press.",
"4":"A sound and data installation with composer Yota Morimoto and artist Beer van Geer, shown at The Grey Space in the Middle in 2022. Live soil readings became image and sound at the same time.",
"5":"A self-initiated editorial project Jonathan ran alone from 2013 to 2020. The archive has not been located, so the record is thin.",
"6":"A personal agentic operating system, in daily use for over a year. Jonathan built the memory architecture, the gates on what an agent may conclude, the tool scoping and the scheduling.",
"7":"A WhatsApp-first ordering platform Jonathan and Gwenda built for their own herb business, used by chefs and growers. Self-service onboarding never took off, so every grower still arrives through a conversation.",
"8":"An ordering platform for a foundation, now in its fifth version. Jonathan built it and it runs in production, municipality by municipality.",
"9":"Data visualisation and a physical installation for the Central Innovation District Lab in 2018. The district's systems were made readable inside the space itself.",
"10":"An AI product for health equity, built across four design sprints in 2024. Jonathan worked on the brief, the sketches, the sitemap and the interface, then handed it over.",
"11":"A company in malaria prevention that hired Since Today for capital raising and market access, 2022 to 2025. Jonathan made the deck, the campaign pages and the brand kit underneath them.",
"12":"A startup ecosystem client, rebranded and given a sprint programme, 2019 to 2021. Jonathan led the design work facing the market.",
"13":"A media brand Jonathan worked with for about a decade, first as Lowman, later through Since Today. He designed across the magazine, an iPad app, television graphics and the VR Awards.",
"14":"The annual review of a Dutch bank, produced through the agency Fabrique in 2019. Governance-level corporate work on a hard external deadline.",
"15":"A climate finance programme delivered through WorldStartup in 2021 for the Dutch Fund for Climate and Development. Jonathan made the visual system, the videos and the keynote decks, closing with a live final at COP26 in Glasgow.",
"16":"A typeface Jonathan drew in 2007, early in his career. No archive files survive; it is known from outside type references.",
"17":"A brand identity and a custom typeface for the artist Herman van Bostelen, from 2008 to 2020. Begun under Lowman, continued through Since Today.",
"18":"Not one project but a thread: websites, interfaces, typography, and vector icons recovered from visions.tv. It shows the craft underneath the tools.",
"19":"Jonathan's teaching post in the I/M/D department of the Royal Academy of Art, 2012 to 2015. Course design and studio teaching.",
"20":"Identity, signage and shirts for the I/M/D open days, 2013 to 2015, made each year alongside the teaching.",
"21":"A student exhibition on the future of work at the Royal Academy of Art, January 2014.",
"22":"A lecture at the Royal Academy of Art in 2016, The business model of hope. An early version of the ideas behind the 2026 welcome address.",
"23":"A five-week workshop series in May 2016. The context is not confirmed in the archive.",
"24":"A guest seminar at HKU Utrecht in 2019 on breaking the filter bubble.",
"25":"Jonathan's own research question inside the design lectorate, 2018 to 2019, Design and the Deep Future. Groundwork for Design for Life.",
"26":"A curriculum project at the Royal Academy of Art, 2018 to 2019, that became a real courtyard garden. Students and staff took it over and it entered the school's institution plan.",
"27":"A presentation at the academy's Research Forum in 2022. The garden became a subject of research instead of course material.",
"28":"Course material for semester two, 2022 to 2023. Jonathan's exact role is unconfirmed.",
"29":"Photographs of the 2023 graduation show by Fanny Noel, showing the courtyard garden still in use years after it started.",
"30":"An ongoing part-time teaching post in the preparatory year at the Royal Academy of Art, since 2019. Research by making, one day a week.",
"32":"A four-year brand partnership with a theatre in The Hague that has no resident company and no fixed programme. Jonathan and Gwenda built a modular identity that could carry a different season each year.",
"33":"Brand, website and education programme for Art-S-Cool. Still in maintenance.",
"34":"A website for an art centre in 2012, documented through archived screenshots.",
"35":"An early brand identity from 2008, from the years before Since Today.",
"36":"Identity, banners and print for AdemRuimte, 2012 to 2021.",
"37":"App identity and interface mockups for TENEO in 2016.",
"38":"A logo and print work for a music collective, 2009 to 2011, from the years before Since Today.",
"39":"A book connected to the artist Nives Widauer. The role and the outcome are not documented.",
"40":"A photo book for the photographer Kim Nuijen, 2010 to 2011. Made during the move from Lowman into Since Today.",
"41":"A printed publication for The Hague University of Applied Sciences in 2013: cover, spreads, hand-drawn network illustrations and print production.",
"42":"Brand identity and a Webflow site for a food foundation in 2021, before the ordering platform existed.",
"43":"Event branding for Clubhuis at the Design Kwartier festival in 2016, including abri posters that print the same raster at two scales.",
"44":"A book for the artist Thijs Ebbe Fokkens, 2011 to 2012, made during the move from Lowman into Since Today.",
"45":"A festival client from 2014 to 2019. Jonathan made the campaign: app mockups, a billboard and an aftermovie.",
"46":"The annual privacy awards for Bits of Freedom, 2012 to 2017. With Gwenda Jakobs and Sepus Noordmans, Jonathan designed the 2015 edition: identity, stage and publication, built on Orwellian doublespeak.",
"47":"Identity and print for the REWIRE festival in The Hague, 2012 and 2014: booklet, posters, flyers and shirts.",
"48":"A record sleeve for the musician Tom Laan in 2012, in a run of two hundred.",
"49":"Vinyl artwork credited to Unicorn. No archive files were located.",
"50":"A type specimen taking one classic face apart. The source file is unconfirmed.",
"51":"A personal type exploration on how a face carries its message. No archive files were located.",
"52":"Jonathan's own studio, 2010 to 2012, before Since Today. Several early clients carried over into the new studio.",
"53":"Type and lettering across the career, including Fingertype in 2007 and the face drawn for Herman van Bostelen.",
"54":"Early logo marks, among them Amongst Friends, Comfort Fit, Fontanel, Lefto and Various Artists, from the solo years.",
"55":"A Creative Europe project with SeaNaps, Les Siestes and TodaysArt, testing blockchain ticketing and payment at festivals. Jonathan designed the branding, the visualisations and the visitor wallet app.",
"56":"Description to come.","57":"Description to come.","58":"Description to come."}