# Gap pass O, 2026-10-05 Rows: 2 visions.tv, 4 Resonate Garden, 8 Baby Groente Tas platform, 15 DFCD, 24 HKU seminar, 27 Learning with the Garden, 33 Art-S-Cool, 41 PowerHouse, 61 Teneo. Not touched: richting-v9.html, werk.yaml, img/. Candidates in `img-candidates/-o/` (each with `_sources.tsv`): visions-tv-o 9, resonate-garden-o 10, baby-groente-tas-platform-o 8, dfcd-challenge-o 6, hku-seminar-o 8, teaching-27-o 8, art-s-cool-o 10, powerhouse-o 10, teneo-o 7. All jpg, max 2000 px, each viewed. Nobody contacted. No credentials, phone numbers or prices copied. ## Corrections to current row text (headline list) - Teneo: final presentation was 5 June 2014 (public programme + Jonathan's own FB post), not 6 June. - PowerHouse: colophon credits "Omslagontwerp" and "Grafisch ontwerp" to Since Today; publisher is "PowerHouse, Den Haag"; book also exists as ePub. - Baby Groente Tas platform: v5 is live for one municipality (Hattem, since 24 Jul 2026), others still v4.4. "Runs in production, municipality by municipality" needs that qualifier. - DFCD: transcript shows Jonathan running slides and screen at the hybrid COP26 final; "produced the hybrid final" is not supported. - HKU seminar: June 2018 (file dates), not 2019. - visions.tv: started as SwipeTV; print edition files date 2016 to 2018, case draft says 2019. - Art-S-Cool: new strand found, FIA (Future Institute of Art, 2022 youth programme identity); live site footer credits "Merk & Website: SinceToday". --- Candidates only. Nothing edited in richting-v9.html, werk.yaml or img/. Every kept image was viewed with Read (montage or single). Archive extractions in /tmp/gapO were removed after this write-up. ## Row 2 visions.tv (slug visions-tv; candidates in `img-candidates/visions-tv-o/`, 9 images) **Verified facts** - Self-initiated, no client; scope "editorial concept, product design, interface design, art direction, print design, curation, brand identity"; credits: concept, design and curation Jonathan Looman, co-founder and media design Beer van Geer, player development Frank Douwes, backend Nick Geerts. Source: `/Users/jonathan/SynologyDrive/Since Today/WEBSITE/_snapshots/since-today-site_2026-09-03_1102/src/content/work/visions-tv.yaml` (draft: true; courtesy-flag to Beer van Geer and Nick Geerts still open there). - NEW: it started as **SwipeTV**. `Backup_02/Project Archief 02/Visions.zip` has `00 SwipeTV/` (business strategy files dated 2010 to 2012, corporate identity Feb 2013, iPad mockup 2013-02-12, UI versions 2011 to 2013) and `06 USER INTERFACE/versions-visions/` (app grids Apr 2012 to Sep 2013). The vi.sions.tv name and purple wordmark appear from 2014 (logo file 2014-10-24, launchpage assets Apr to Nov 2014). So "2013" in the row matches the SwipeTV identity work; the lineage before it (2010 to 2012 strategy and UI files) is not in the row. - Product in practice: marketing PDF `044 Website/landingpage/visionstv_editorialservice_2018.pdf` (file date 2018-05-26) sells a "video curation service": on-demand editorial video playlists for marketing and sales teams. It lists "Clients & partners" Border Sessions, WORM, Rewire, HiiL, TodaysArt, POSTRmagazine, Theater aan het Spui, and shows playlist tiles with viewer counts (178, 60, 31, 994, 292, 130 viewers) and a testimonial from a Border Sessions co-founder. These are the platform's own 2018 sales claims, not independently verified. Price tiers on page 2: not copied. - Print side: folder `039 Vision's Publication` (01 BRIEF, 02 SKETCH with InDesign files by three working folders, dated Aug to Sep 2016; 04 FINAL/pictures_960px with 11 collage plates dated 2016-09-02 and 2016-11-12; `whattodonext.png` dated 2018-01-23). Events folders: `018 EVENTS/TDA 2016 - Decentralize!` (Sep 2016), `Connecting Visions` (event header and ticket PDFs, Apr 2017), `025 COMMUNITY/shared-visions-night` (Dec 2015). Also `011 FIN-ADMIN/Subsidie aanvraag`, `014 MARKETING & PR/Rockstart`, `042 Statistics` (Analytics PDFs Jun to Jul 2017), `047 YOUTUBE_DATA_API`. - Public numbers (from the yaml, internal record not public): 7 tracks, 64 visions, about 750 clips, 39 print codes; 2026 recovery 685 visions and 7,613 clips, 621 of 750 clips still play, 91% watchable. Closed 2023, "no network effect, no traction, no market need". - Public anchor: interview "Jonathan Looman wil met Vi.sions.tv video zinvol cureren", https://www.youtube.com/watch?v=BBpstKuD6n8, 22:42 (from gaps-B, not re-checked, Wayback returned 429 today). **Contradiction to resolve (not mine to fix):** yaml and case draft say the edition "What to do next?" was published in 2019. The archive has the print publication folder from Aug to Sep 2016 and a 2018 landing page that already shows "Learning Curves #1 Foundational Knowledge". So the edition or at least its print object existed 2016 to 2018. Ask Jonathan which year the printed edition came out. Backup_01 `Project Archief/Visions` is an empty directory (0 entries); the content is in the Backup_02 zip. A 100+ GB `020 BACKUPS` tree sits inside the zip (Lico Systems Blu-ray backups 2014 to 2018, 70,000+ files), not mined. **Proposed blurb (4 sentences)** visions.tv was a video curation platform Jonathan founded with Beer van Geer and ran for about ten years, self-initiated and without a client; it began in 2013 as SwipeTV. A "vision" was an ordered playlist of clips that stayed on YouTube and Vimeo, so the platform stored the argument, not the video. He did the concept, design and curation of the player, the web service and the print edition "What to do next?", with Frank Douwes on player development and Nick Geerts on the backend. It closed in 2023 without finding a market; in 2026 he rebuilt the archive from database dumps and the web archive and recovered 685 visions. (Check: "ten years" and "co-founded" are from the existing row and yaml; "began in 2013 as SwipeTV" rests on the 2013 identity files, the 2010 to 2012 files suggest an earlier start.) **Images** (all from `Visions.zip`, own design unless noted; full paths in `_sources.tsv`) - hero: "What to do next?" title collage in the visions purple. - row-01, row-02: two collage plates of the print publication (archival photographs inside the collage, credits unknown). - row-03: "Connecting Visions" event header (Apr 2017). - row-04: "Decentralize!" graphic (TDA 2016). - row-05: logo lockup and device mockup cropped from the 2018 editorial service PDF (face, testimonial, prices cropped away). - row-06: SwipeTV iPad mockup 2013 showing "Brooklyn Sodaworks, edition 34, by Jonathan Looman" (hands holding the iPad, likely a stock hand photo). - row-07: vi.sions.tv wordmark. - row-08: newsletter header "2016 Highlights" with phone UI. **Risks:** collage source photographs have unknown credits; row-06 and row-08 hand photos are probably stock; TDA expansion and who organised it unverified; client names in the 2018 PDF are claims by the platform, and pages not used contain a named person with photo and prices. Skipped on purpose: `The Team` photos (people), `shared-visions-night` photos (people), Border Sessions client folder, all Blu-ray backups. **Open questions for Jonathan:** (1) year of the printed edition, 2016, 2018 or 2019? (2) Is the SwipeTV period (2010 to 2013) part of the "2013 to 2023" or a prequel? (3) What was TDA 2016 "Decentralize!" and what was your part? (4) May the 2018 client and partner names be used in the blurb, or only the platform itself? ## Row 4 Resonate Garden (slug resonate-garden; `img-candidates/resonate-garden-o/`, 10 images) **Verified facts** - Installation weekend: 11 and 12 June 2022, "Mutual Symbiosis II", open garden weekend at The Grey Space in the Middle, The Hague (existing dossier `projects/jl-portfolio-selectie.md` lines 190 to 290 and `jl-case-resonate-garden.md`; my photo EXIF confirms 2022-06-12, Sony ILCE-7M3, 154 JPGs plus raws in `Backup_03/Hypergarden/Projects/Greyspace/05 PRES/HyperGarden-Greyspace Weekend/`). - Seven printed banners (`HG_Banners_PRINT_06_01..07`): Conductivity, Temperature, Light, Moisture, title and text panel, circular design research diagram, construction drawing of the stackable wire basket. My photos show them hanging from yellow straps in the hall, the title panel reading "HYPER((( resonate ))) GARDEN", the Conductivity banner printed with 16 and 1194, and data banners in blue and yellow. - Measured ranges printed in the banner PDF (from the dossier): conductivity 16 to 1194 uS/cm, temperature -0.1 to +39 C, light 522 to 23,123 lux, moisture 10 to 77 %, from Nov 2021 to 2 Jun 2022, axis = the seven moon months 1222 to 1228. My image row-03 independently shows 16 and 1194 on the printed banner. - 108 visitors (hand counter, Jonathan counted himself, per dossier). Credits on the print: Yota Morimoto (composer, sound), Beer van Geer (media artist), SinceToday (studio). Thanks to The Grey Space in the Middle. Film (Tuana Elif Inhan camera and edit), https://vimeo.com/894970495, 5:08, uploaded 2023-12-15; Yota's own 55 s excerpt on YouTube (Y2CFEEddeHw). - Sensor hardware visible in my photos: soil sensor board with a Raspberry Pi-type board in the garden (row-04), 3D-printed white Plukzuil parts (row-05), compost samples (row-08), seed bowl with QR sheets (row-07). The role of QR sheets and data printouts is not documented; I describe what is visible only. - thegreyspace.net could not be fetched (self-signed certificate; curl -k returned empty). No public page by The Grey Space confirmed today. **Proposed blurb (4 sentences)** Resonate Garden (2022) took months of live soil readings from the HyperGarden and showed them twice at once, as sound and as image. As part of the Since Today team, Jonathan designed and built the installation with media artist Beer van Geer; Yota Morimoto composed the sound. Seven printed banners (conductivity, temperature, light, moisture, text and construction panels) hung in the hall of The Grey Space in the Middle in The Hague during the open weekend of 11 and 12 June 2022, with a count of 108 visitors. The data run from November 2021 to June 2022 and the 5-minute film is public on Vimeo. **Images** (all my own selection from the 12 June 2022 photos, no people, no faces) hero wide hall with text banner and blue and yellow data banners; row-01 text banner close with the garden outside; row-02 yellow and blue banners; row-03 Conductivity banner 16 / 1194; row-04 sensor and board in the garden; row-05 printed Plukzuil parts; row-06 "Circular design research project" posters; row-07 seeds and QR sheets; row-08 compost samples; row-09 "Edible wall / Plukzuil" diagram poster. Not obtained: frames of the Vimeo film (not downloaded). **Risks:** The Grey Space is named only in the text on banners; one photo I excluded (DSC01558) shows a visitor from behind in the distance. Photographer is Jonathan per EXIF model match with other files; confirm, as the dossier calls them "eigen fotografie". Existing `img/resonate-garden/` photo-v1 and photo.jpg are the same weekend, check duplicates when picking. **Open questions:** (1) Courtesy note to Yota is still unsent (dossier). (2) Was the QR/data-printout table a published part of the piece? (3) Row says "own venture" while the banners credit SinceToday: keep the "as part of the Since Today team" wording as the case draft decided? (4) Is the "Mutual Symbiosis II" name for the weekend to be shown? ## Row 8 Baby Groente Tas ordering platform (slug baby-groente-tas-platform; `img-candidates/baby-groente-tas-platform-o/`, 8 images, HOLD stays) **Verified facts** - Code repo `/Users/jonathan/SynologyDrive/Klanten/BabyGroenteTas/Webdev/bestel-v5` (git, 358 commits, first commit 2026-06-15). README (2026-07-28): **Hattem has run on v5 since 24 July 2026** (Drupal is the record, payment via a Mollie gateway); **all other municipalities still run v4.4** (Make is the record, Google Sheets, shadow copy to Drupal). Rollback is a flag in Drupal. So "now in its fifth version ... runs in production, municipality by municipality" is true only as: v5 live for one municipality, others on v4.4 and migrating (transition plan v1.5, shadow runs 9 to 29 Jun 2026, pilot Hattem). - Version lineage in `Webdev/Archive/` folder names: V2.1 and V2.2 Leiden, V3.0 Edam and Den Haag, V3.1 Webflow, V3.2 Koggenland, Medemblik, Opmeer, V3.3 duplicate address check, V3.4 "nine days ahead", V3.5 Google Workspace, V3.6 Apeldoorn, Zwolle, Hattem, V3.7 Uithoorn, Schiedam, V3.8 Amsterdam, V3.9 Rotterdam, V4.0 Haarlem, V4.1 Ede, V4.2 Utrecht (names only, no dates inside the names; folder mtimes are unreliable). 2021 predecessors: Aug 2021 screenshots and a flow design (flow file shows a 10 Aug 2021 test order and start date 1 Jan 2022). - Public numbers on https://www.babygroentetas.nl today (WebFetch 2026-10-05): "26 gemeenten" (the page names 24 to 25 of them), "14.211 Gezinnen leren koken", "795.816 Groente hapjes gegeven", "113.688 kg Tasjes geleverd" (unit label looks wrong, quote with care); started "in Purmerend" in 2021. The page does not say who built the ordering site. - Order form (my render of v5, mock API): start-week picker, parent details, address, "how did you hear", e-mail language choice of 7 languages (nl, en, tr, ti, pl, uk, ar), consent checkbox. Free and paid paths exist (code), a "Helaas" page for areas not yet served. - NOT used: retainer amount in `jl-master-index.md` line 56 (client confidential), `.env` files (not opened), municipality logo wall (cropped), pilot infographic (faces of a baby and a professor, VU research figures, not mine). **Proposed blurb (4 sentences)** The Baby Groente Tas is a foundation that gives parents of babies a bag of fresh vegetables and recipes through their municipality. As part of the Since Today team, Jonathan has built and run the ordering platform since 2021: parents check their postcode and baby's birth date, choose a start week and order. It went through several versions as municipalities joined; version 5 has been live for the first municipality since July 2026 while the others move over from version 4.4. The foundation reports 26 municipalities and over 14,000 families on its public site. (Check "built since 2021": 2021 flow designs and screenshots are in the client folder, the repo history starts 2026-06-15 only; "26 municipalities" and "14,000 families" quoted from the live site as of today.) **Images** - hero, row-01, row-02: v5 order form desktop, mobile, and with the week picker open. Rendered by me from a /tmp copy of the repo with its own MOCK_MODE (mock API, placeholder data, example.com address); the dev badge and the stock baby photo were hidden by CSS, the municipality logo wall cropped. They show the real front-end, not a production capture. - row-03, row-04, row-05: the 2021 to 2022 flow design for the free bag (hero with postcode and birth date check, address step with placeholder postcode 1446AA, order overview and thank-you page). Source `Website update/2021-2022/1x/Flow Gratis.jpg`; one pickup-point address in the middle section was avoided by cropping. - row-06, row-07: 2021 "Helaas" waitlist page, desktop and mobile (own pages, empty fields). Not used from 2021 screenshots: eight screenshots of a meal-box competitor (third-party UI, not own work), a Mollie test payment with a euro amount. **Risks:** HOLD stands (client consent pending). Row-03 to row-07 authorship: the files sit in the client folder; confirm they are your design. The v5 renders show the real UI minus two elements, so label them as such or take a production capture when consent exists. Municipality names are not visible in any kept image. **Open questions for Jonathan:** (1) Were you the sole builder of v2 to v5, or built with someone? (2) Start of the platform: Aug 2021 order form or a later date? (3) Are the "26 municipalities, 14,000 families" figures fine to quote? (4) Do you want production screenshots of wizard steps (needs the client)? ## Adjacent things I noticed - `gaps-A` says the Baby Groente Box recipe cards are 2018; row 8 text "2021 to now" is the platform, consistent. - visions-tv.yaml hero alt text and `jl-case-visions-tv.md` still say the edition is 2019; archive suggests earlier (see above). - 2018 editorial-service PDF shows the platform sold curation at tiered prices; could contradict "never found a market" only mildly (it tried to). Not a figure to publish. --- # Gap pass O, part 2 (rows 15, 24, 27), 2026-10-05 Read-only on archives. New candidates in `img-candidates/dfcd-challenge-o/` (6), `hku-seminar-o/` (8), `teaching-27-o/` (8), each with `_sources.tsv`. All jpg, max 2000 px, q85, each viewed. Temp files in /tmp/gapO deleted at the end. Weave MCP (3 keyword searches), Instagram export and public pages checked. Nobody contacted. richting-v9.html, werk.yaml, img/ untouched. ## 15 DFCD Scalable Climate Solutions Challenge (dfcd-challenge) Verified facts - Client is the Dutch Fund for Climate and Development (DFCD); WorldStartup "hired by the DFCD to help manage the fund" (Aditya Putta, WorldStartup, 00:00:50 in the COP26 final transcript, `PF/Project WorldStartup/DFCD/cop26-final-transcript.txt`). - Final was a hybrid event at COP26 in Glasgow ("this is a hybrid event", 00:00:14). Public FMO video "The Challenge Final at COP26", 76:23, 12 Nov 2021. - NEW, sharper role evidence: the host thanks "my colleague Jonathan Looman from the Netherlands who is handling the slides as well" (00:33:18) and asks "Jonathan can we please bring Peter onto the screen" (01:06:51). So Jonathan ran slides and the on-screen finalist feed live, remotely from the Netherlands, not on site in Glasgow. Also 00:18:23 "a minute for Jonathan to figure out the slides". - DFCD news page (thedfcd.com, read today): 100+ applications, final for 230+ attendees "both at COP26 in Glasgow as online", winner Mandulis (Peter Nyeko). - Visual system, read from the frames: DFCD mark (vertical bar glyph + wordmark), earth-from-space title card with blue atmosphere glow, humanist sans in white, landscape cards with caps country name and subtitle, announcement card with orange date pill and blue band, end card with partner logo column (FMO, Climate Fund Managers, SNV, WWF, state crest). Programme film (10:14) and intro (1:39) use FMO interviews shot in an atrium; lower-thirds with programme bullets. - No working files exist: `bronnen.md` says none on Synology or Backup_01-03; re-checked: `Project WorldStartup/` holds WSC brand material (2020 brand book, sprint deck, website), not DFCD sources. The DFCD folder is only thumbnails, transcript, bronnen.md, contactvel. `Case Study/WAT-NOG-NODIG-IS.md` item 4 (23 Sep 2026): "DFCD, own case or a block in this case? Not decided." - Not found: Weave (0 hits), Backup_01/02 name search. Images (dfcd-challenge-o) - add-01 COP26 final announcement card, 1280 (best new find, shows date pill and blue band system) - add-02 Bangladesh card 1280 (replaces the 480 px one), add-03 Kenya card 1280, add-04 Uganda card 1280 (frame from 6:01 of main film; previously only 480) - add-05 end card with partner logos, add-06 thedfcd.com card (weak) Not kept: finalist cards and any frame with people or lower-thirds with names; the lower-third showing a programme budget figure (client number). Better blurb As part of the Since Today team, Jonathan worked on the Scalable Climate Solutions Challenge of the Dutch Fund for Climate and Development, run with WorldStartup through 2021. His role, in his own words, covered the graphic design of the programme, the call-to-submit videos and the keynote decks. At the hybrid final at COP26 in Glasgow he ran the slides and the on-screen feed live from the Netherlands, and the host thanked him by name on the recording. Risks: footage in the cards is stock or client, not his. Partner logos are third-party marks. Role claims beyond "handling the slides" rest on his own statement only. Open questions for Jonathan 1. Is "produced the hybrid final" right, or "ran slides and screen live"? Evidence supports the second. 2. Do you have the keynote decks or the DFCD mark files (mail, WorldStartup drive)? They would give the first non-borrowed image. 3. Who made the card system (you, or WorldStartup/FMO in-house)? The frames carry no credit. 4. Own case or a block inside WorldStartup (open since 23 Sep)? ## 24 HKU seminar Pop the Filter Bubble (hku-seminar) Verified facts - Source `SynologyDrive/Since Today/EDUCATIE/HKU_seminar.zip` (the task said archive EDU; same file, 48 MB, readable with plain unzip). Zip dates: slides PDF 26 Jun 2018, InDesign 26 Jun 2018, result photos 29 Jun 2018 (some copied 16 Oct 2018). So seminar June 2018, matching gaps-B (werk.yaml says 2019; the 31 Jan 2019 post is later publicity). - Slides (6 pages, 1980x1020): title "POP THE FILTER BUBBLE, seminar in mediatheory and behavoir altering design strategies" (typo in original), a contact line, a moodboard of riso and zine references, and the brief: A3 double-sided folded to A5; at least 5 sketch designs (5 front, 5 back); "test" different combinations of content; build the problem statement (taboo) into the design; how to catch the viewer's attention; share possible solutions and alternatives; cite all (online) sources; use insights, quotes and images from the videos watched the week before. Brief is in Dutch, so the students were Dutch-speaking. - Results: 11 phone photos of finished riso-printed booklets in red, fluorescent pink, blue and mint, each in a wrapper. Shown themes: phones and attention ("LET OTHERS CONTR...", "NO GET A GRIP", "Swipe right", "PLEASE DON'T..."), repetition patterns, hand lettering. One photo shows a hand putting zines into mailboxes with surnames visible (IMG_4698): not used. - Still unknown: which HKU programme, how many students, whether once or recurring, and the "videos" shown the week before (suggests two sessions). Images (hku-seminar-o): add-01 to add-08 are cropped views of eight different booklets. Existing pass-B set (title slide, brief slide, IMG_4686, IMG_4691) stands. All student work: faces none, names none readable. Better blurb In June 2018 Jonathan gave a guest seminar at HKU in Utrecht on media theory and behaviour-altering design strategies, called Pop the Filter Bubble. The brief asked each student for a risograph-style print piece, one A3 sheet folded to A5, with at least five sketch designs, built around a taboo as the problem statement and the previous week's video material. The results were small zines on phones, attention and what we are shown. The slides and the photographed student booklets are in his archive. (Check "Utrecht" and "risograph": the brief says "taboo", A3 to A5, the prints look riso but the word is not in the brief.) Risks: student work needs student and HKU consent before publication. Slides moodboard uses third-party images (pages 3 to 5), not selected. Open questions: Year 2018 confirmed? Which programme and how many sessions? Were the prints riso (school Risograph)? Were you invited by a teacher, and was it paid or in the Since Today name (slide contact is your sincetoday address)? ## 27 Learning with the Garden (teaching-27) Verified facts (re-read the KABK page today) - `kabk.nl/en/lectorates/design/fault-lines-kabk-research-forum-2022`: Friday 9 December 2022, KABK auditorium, hosted by the Design & the Deep Future Research Group (chair Alice Twemlow). Panel "Oral Histories, Stories, Gardens": Victoria Meniakina, Carl Johan Hogberg, "Jonathan Looman, tutor, Learning with the Garden", Giulietta Pastorino Verastegui, Fiona Hallinan (guest). Event identity by Lennarts & De Bruijn, videography Silvia Ulloa. Vimeo oEmbed: 500 s (8m20), uploaded 2022-12-23 by KABK Lectorate Design; description says "All the audio-visual material by courtesy of the speakers", so the slides were his own. - Instagram export: DM thread with KABK Design Lectorate shows he shared a story on 8 Dec 2022 (the day before); attachments are not in the export. - Vimeo embed is domain-locked: yt-dlp and the player config return 401 and a "Sorry" page. I did not work around it. No frames of the talk, no slides, no script found (searched Backup_03 Hypergarden, EDUCATIE 2022-2023, Documents; Weave 0 hits). - NEW context: `Backup_03/Hypergarden/Projects/KABK/00 Research_Club/` holds his earlier sessions with the same group: Session 01 `HyperGarden_presentation.pdf` (PDF dated 1 Jun 2018, 7 slides), Session 02 files dated May 2019, plus the group's info sheet. So his link with the Design and the Deep Future group predates 2022 by about four years; and a group text says the Grey Space courtyard garden was first realised spring 2017 on the former carpet-factory site with contaminated soil, so grown in containers. - Not verified: what the 2022 talk contained, and which garden it covered. Images (teaching-27-o): eight own garden photos and slides from the Research Club folder (Grey Space courtyard garden 2018, HedgeBlocks, before shot, v2.0 cycle slide). They are context from the group sessions in 2018, NOT slides from the 2022 talk. Keep only as support to the embedded Vimeo player; label accordingly. Existing hero (Vimeo poster) and rows stand. Better blurb On 9 December 2022 Jonathan gave the talk Learning with the Garden at Fault Lines, the KABK Research Forum of the Design and the Deep Future Research Group, as part of the panel Oral Histories, Stories, Gardens. He is listed as a KABK tutor. The recording runs 8 minutes 20 seconds. He had presented his HyperGarden work to the same group in 2018 and 2019. (The last sentence rests on file dates in his archive; drop if unsure.) Risks: video, poster frame and identity belong to KABK and Lennarts & De Bruijn; embed or link only. Photo add-05 shows a person on a ladder, probably Jonathan, unconfirmed. add-08 slide contains small inserts of unknown origin. Open questions: Do you still have the slides or the talk text from December 2022? Which garden and what argument (the werk.yaml claim "garden became a research subject instead of course material" is unsourced)? Were the 2018 and 2019 sessions presentations to the group, and may that be said? ## Other - No em-dashes used in blurbs; no phone numbers, prices or credentials copied (slide 7 of the 2018 deck carries a phone number: not selected). --- ## 33 Art-S-Cool (slug art-s-cool; candidates `img-candidates/art-s-cool-o/`, 10 images) **Verified** - Live footer of art-s-cool.nl reads "Merk & Website: SinceToday" (WebFetch 2026-10-05). The site calls it "dé kunstschool uit de Haagse Schilderswijk" and reports "more than 4600 unique participants" in the latest year it names. - Archive (`Backup_02/Project Archief 02/Art-s-cool/`): `01 Huisstijl vanaf 2018` (website wireframes V01 to V06, Huisstijl 2018 package with print manual, business cards, 10-year logo proposals), `Agenda Folder drukwerk` (quarterly agenda files Q4 2019 to 2022, final print PDFs 2019Q4, 2020Q1, 2022 3-6), `07 Video` (a header video), and `08 Fia` (see below). - New find, not in any earlier row text: **FIA, Future Institute of Art**, "Hét jongeren talentenprogramma van Art-S-Cool" (ages 13 to 18, free art lessons on Tuesdays). The public page art-s-cool.nl/fia says it began as a pilot funded by the Fonds voor Cultuurparticipatie (awarded 2021). The archive holds a full identity for it: A4 style guide dated 15 Mar 2022 (23 pages, Poppins Medium, 47 pt / 25 pt text sizes), posters, flyers (file prefix 01_22), print examples with a grid, tote bag mockups, doodles, agenda backgrounds. Logo files exist under the earlier name FIOA (`2022/Talent-S-Cool`). - The art-school's own earlier material (2016 roll-up, business cards, Kunstkaravaan banner, 2016 outdoor sign) sits in `04 Archief`, `02 Archief Huisstijl`: older than the 2018 identity, authorship not shown, not used. The 2016 sign carries a phone number. **Not verified** - That Jonathan/Since Today designed FIA: Illustrator files sit in his client folder and the style guide has no credit. The live FIA page credits the youth programme to a named visual artist for coordination and photographers; no design credit. Ask. - Start year of the relationship: row says 2019 to now; folder `01 Huisstijl vanaf 2018` and an Instagram launch post of 2018 (master-index) suggest 2018. **Better blurb (draft)** As part of the Since Today team, Jonathan made the brand and website of Art-S-Cool, the art school of The Hague's Schilderswijk, from 2018 on. The identity runs through a quarterly printed agenda in red, blue, green and yellow. In 2022 the same team built a separate look for FIA, the Future Institute of Art, the school's free talent programme for ages 13 to 18, with a style guide, posters, flyers and tote bags. [FIA only if Jonathan confirms he drew it.] The site still carries the credit "Merk & Website: SinceToday". **Images** - hero: FIA poster, "Try out new things", gradient and A-shaped mark. add-01: FIA wordmark with the arch mark. row-01: FIA flyer, square. row-02: tote bag mockup (back view, no face). row-03/04: two print examples (low resolution, 596x842). row-05: FIA wordmark circled on a gradient (agenda background). add-02: art-s-cool.nl on a phone, 2018 mockup. add-03/04: agenda calendar sides Jan to Apr 2020 and Mar to Jun 2022 (no photos). - Deliberately left out: agenda covers with children (faces, minors), photography folder `FOTOGRAFIE _SELECTIE _ST` (children; photographers' credits), invoice screenshot (financial), 2016 sign (phone number), ANBI annual reports. **Risks**: FIA poster shows the school's street address and funder logos; children not shown anywhere; Gwenda consent per master-index; FIA attribution. **Open questions**: Did you design FIA? Year the Art-S-Cool work started? Is the quarterly agenda still produced by you (last file: 2022)? OK to show the FIA poster with the street address? --- ## 41 PowerHouse (slug powerhouse; candidates `img-candidates/powerhouse-o/`, 9 images) **Verified** - Book: "PowerHouse: Op weg naar symbolisch meesterschap", authors H.D. Brauer, A.J.D. Rambaran, J.L.R. Boers; colophon (p4 of Book 7b.pdf, 2019-09-04): "Omslagontwerp: Since Today", "Grafisch ontwerp: Since Today", ISBN 978-90-9031902-5, publisher "PowerHouse, Den Haag". Realised with the Comenius Teaching Fellows programme (Ministry of Education, Culture and Science) with two professors (lectoren) of De Haagse Hogeschool's Connected Learning research platform. Foreword by Jet Bussemaker. 88 pages, trim 185 x 260 mm (TrimBox 21 to 545 pt), a 7 mm spine; also an ePub (2019-09-29) with a bookmark marked "eBook" and a QR code. - Subject (own text, book pp. 7 to 9, 15 ff.): a programme for delayed and long-term students in higher education (Social Work), about educational vulnerability, stigma and symbolic violence, steps to "symbolic mastery", professional statement. Public confirmation: De Haagse Hogeschool publications list (Brauer, Rambaran & Boers 2019) and NWO project page (PowerHouse, funded under the NRO Comenius programme). - Timeline in the zip: brief 2018-11 (text bundle 07-11-2018), first InDesign 2019-02-17, plan table "Publicatie Comeniusbeurs" (week by week Feb to Apr 2019: editing, designer concepts, print), image scans 2019-04-01/02, 7 mm cover and final print files 2019-09-04, ePub 2019-09-29/30. ISBN date 1 June 2019 per werk.yaml. - Design (visible in files): colour-blur panels over black and white, a continuous white network line with circles that runs across spreads, chapter openers per chapter (1 to 4), Suisse type family plus Minion in the file; file names show two designers (`_Jon`, `_Gwen`). Raw material: large scanned ink paintings (`04 scan`, 5000 to 6600 px) and 15 layered Photoshop images (`05 Beeld G`, up to 1.5 GB each). - "Hand-drawn network illustrations": the network lines exist as Illustrator files (`powershape*.ai`, `powerhouse_V01_Jon_symbolen`). The hand-made part is the scanned ink textures. Unconfirmed that the lines themselves were drawn by hand. **Better blurb (draft)** As part of the Since Today team, Jonathan designed the cover and interior of "PowerHouse: Op weg naar symbolisch meesterschap", a 2019 book from The Hague University of Applied Sciences about students who study longer than planned. The pages pair colour fields made from scanned ink paintings with a white network line that crosses the spreads and opens each of the four chapters. The team delivered the print files, the 7 mm cover, an ePub and a bookmark with a QR code to it. **Images** - hero: flat full cover (back, spine, front). row-01 to row-04: chapter 1 to 4 opener spreads. row-05: closing spread "You have the power". row-06: literature-list page with node diagram. add-01: eBook bookmark. add-02/03: two scanned ink paintings (greyscale), the raw material. - Left out: spreads with named testimonial pages (first names of students, a foreword text with a minister's name), the stage plan table (names), cover back quote is visible in hero (named academic, printed publicly). **Risks**: row says "The Hague University" but the colophon publisher is "PowerHouse, Den Haag"; Gwenda consent per master-index; "ink paintings by Jonathan" is inferred; the cover back quotes a named Tilburg academic (public book, but consider cropping to front). **Open questions**: Who painted the ink scans (you or a team member)? Your share vs Gwenda's (file suffixes `_Jon`, `_Gwen`)? Did the printed run happen (printer folder "Drukker Edauw" exists)? Preferred crop: whole cover or front only? --- ## 61 Teneo, Sandberg@Mediafonds Masterclass (slug teneo; candidates `img-candidates/teneo-o/`, 7 images) **Verified** - Public site (Wayback of quantifiedreality.nl, 2015-10-15): masterclass edition 2014, theme "Quantified Reality, een verhaal tussen data, macht en privacy"; **final presentation 5 June 2014, 13:30 to 17:00, Tolhuistuin, Amsterdam**; the programme lists "Teneo, Retain your value: Jonathan Looman & Onno Warns" as one of eight team projects. Jonathan's own bio on the site calls him a Since Today co-founder with Gwenda Jakobs and names vi.sions.tv. Organisers: Mediafonds and Sandberg Institute (info pdf: 14th edition, start 16 Jan 2014, January to June 2014, eight teams). - **Date correction**: the current blurb says 6 June. The site says 5 June; Jonathan's own Facebook post of 5 Jun 2014 00:39 announces "tomorrow's presentation at the Tolhuistuin" (link to quantifiedreality.nl) and the snapshot post is 6 Jun 08:43. Use 5 June. - Method (script v0.1, 2014-05-18): the "calculator" sets a user's value equal to ARPU (average revenue per user) of Facebook, Twitter, LinkedIn and Google, corrected for age, gender and nationality from public secondary sources; the second part tells the owners' stories (investors, founders). The prototype UI is blue, with outlined Dutch titles; clips for splash, Google, Twitter, LinkedIn, Facebook, "value" were made for the stage demo (June 4 files). - Own-work evidence: app icon (white T on blue), UI clip frames, keynote and clips in `Teneo.zip` (the 5:34 presentation film, `7-Teneo_small.mp4`, exists and is not duplicated). **Better blurb (draft)** Teneo ("Retain your value") was Jonathan's team project, with programme maker Onno Warns, in the 2014 Sandberg@Mediafonds masterclass, an edition on data, power and privacy. The app estimates what a person's use of "free" services such as Google, Twitter, LinkedIn and Facebook earns the company, then follows that value to the investors behind it. Jonathan worked on the concept, the blue interface and the stage demo. The team presented it at the Tolhuistuin in Amsterdam on 5 June 2014. **Images**: hero app icon; row-01 "Wat is Teneo?" splash with calculator; row-02 Google screen with running total; row-03 Twitter screen listing owner investors; row-04 Twitter screen result; row-05 LinkedIn screen; add-01 theatre screen projection (low value). Not used: frames with a news photo of a named executive, a named businessman, a real person's name in the value screen. **Risks**: percentages are illustrative; third-party logos; named co-presenter Onno Warns is public on the programme page; earlier folders `teneo/`, `teneo-b/`, `teneo-d/` already hold stage photos (31pictures licence issue) and clip frames. **Open questions**: Jonathan's share vs Onno's (concept, UI, code)? Was anything ever coded beyond the clickable demo? Who built the clips?